We own and operate a complete RED One camera package. From filming to dailies and editorial to grading and finishing we have developed the most efficient workflow for handling RED media. (Our Colorist Alexis Van Hurkman actually authored the RED/Final Cut Studio Workflow white paper available of RED’s website, or check him out on Amazon.) If you are considering shooting on RED, feel free to give us a call to discuss best practices — we geek out on this stuff.