Working at 4K

We are experts at managing RED 4K media. This isn’t just a claim: our Colorist Alexis Van Hurman actually wrote the official Final Cut Studio RED Workflow whitepaper (available here or from RED’s site).

As RED One™ camera owners ourselves, we know all the ins and outs of working with RED media, and have successfully edited, on-lined and color-graded a variety of features and commercials shot on RED.

Whether you need dailies generated from your RED footage, editing for your RED project, or grading that taps into RED’s RAW color space, Twitch is the place.

On Location

Shooting with Red One™ camera requires a well-planned workflow that starts in the very beginning: on the set. Managing Red media correctly, from shoot to editorial and finally to finishing and output to film or digital mastering, can save tens thousands of dollars in post. A Red Digital Media Technician is a must on every project that uses Red One™ cameras. Twitch has among its roster the most accomplished Red Digital Media Technicians with thousand of hours of hands-on experience managing Red media on the set.